Saturday, July 24, 2010

Embroidered Thoughts Paris Drawings


I rarely travel anywhere without my Rapidograph pen and a small sketch book in case I have an epiphany and need to put it on paper. I have always loved pen and ink drawings especially after learning to finesse the art of cross hatching from Dr. Moldrowski, my first drawing instructor at Eastern. So, my rapidograph pen needs to be kept functioning (it will leak when sad - just like tears) which means I take it apart and soak the parts in ammonia. Ammonia always works (thanks Michael for the cleaning tip!) and my pen will be good as new for a time. Of course, frequent use (drawing) keeps it going longer which means I am compelled to doodle as often as I can.
I decided to utilize my pen for a full scale drawing to recount and illustrate the Paris trip of 2004 for Elaine and Tom. It was a week in January - Tom had a conference and I was a tourist in my glory with guidebook in hand, good walking shoes and enough knowledge of French to get by. After two days on my own, Tom and I then spent a few days walking the city, going to amazing monuments and famous sites all of which are depicted in these drawings. Of course, time filters reality so I pulled out my photo album of Paris, some guide books of Paris and just general knowledge of Paris to put together this little ink collage of our trip. And for practicality, I also needed to have something to hang on my newly painted dining room wall therefore this drawing which is now framed and taking up wall space.
This was fun to compile and is totally illustrative but that was my intention. When I walk by this drawing I am reminded that I could be in my studio putting down thoughts of experience and lessons learned. Those drawings would then be transferred to fabric to be stitched. But this was fun to do and yes, that waiter was "oooo lala...!"













Friday, July 23, 2010

Embroidered Thoughts on Fabric

These are images of recent work. The process begins by constructing an image on paper, transferring the image to fabric (tracing on a light table) and then stitching. My sources include old photos, illuminated manuscripts and grid sensitivity from growing up in the agricultural Midwest. Each image is long calculated before I begin to stitch because each piece can take months to complete. However, I often find the end result takes on a different or enhanced interpretation than the initial drawing.








with some trepidation...



With one website attempt a few years ago that was left to languish, I've decided to start a blog. And yes, I have images of "Julie and Julia" racing through my head, although I'm sitting in a basement office with Morris, our newly acquired orange tabby at my elbow (he's eyeing the keyboard as he has some plan to plop his massive body where my fingers are nimbly typing - my elbow serves as the barrier to thwart his attempts to "squat"). Instead of the sound of city in the movie, I hear the de-humidifier, clothes dryer and footsteps upstairs.




I see this as an opportunity to transfer thoughts that I have in my head and in my sketchbook. I will be curious to see if and what patterns arise and how they translate into the images that I will ultimately stitch. Also, I will post images of pieces already completed and in process. I'm thinking this will be a tool for expressing thoughts as they relate to process. A few "aha" moments would be welcomed. So, will the utilization of a blog add to the creative process?